Stage 1, Call to Adventure = Meeting Trinity, who offers the answer to the question "What is the Matrix?"
Stage 2, Refusal of the Call = Threatening to leave the car that will deliver him to Morpheus just because Switch wants Neo to lift his shirt
Stage 3, Supernatural Aid and Amulet = Morpheus and his red pill
Stage 4, Crossing of the First Threshold = Waking up in a goo-filled pod
Stage 5, Belly of the Whale = Getting swallowed into the steel belly of the Nebuchadnezzar
Initiation, Stage 6: Road of Trials
To survive the Great Unknown, the hero must acquire new mental and physical skills. Campbell says that the hero must set aside everything he knows from his old life to "bow and submit to the absolutely intolerable" that is coming. As the hero accomplishes a series of difficult tasks, he learns to navigate the new world where he now travels.
One of the best movie scenes to illustrate Road of Trials is the harsh tutelage of Mr. Miyagi in The Karate Kid. Daniel has left his old life, which included half-assed YMCA lessons and martial arts instruction from library books, to enter the world of organized championships where he must battle the gang of karate Nazis who are terrorizing him at school. A little too gleeful about becoming Mr. Miyagi's student, Daniel discovers that he must submit to arduous, glamorless chores like washing and waxing Mr. Miyagi's impressive collection of cars, painting the fence that surrounds his teacher's huge yard, sanding the decks, and painting the house. "You karate training!" Mr. Miyagi affirms whenever Daniel complains, so the poor boy continues to tolerate being an unpaid, barely recognized slave. When the frustrated Daniel announces that he is about to quit, Mr. Miyagi demonstrates that all of the back-breaking labor has allowed Daniel to burn into muscle memory several key defense skills that he can use to ward off an attack.
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Initiation, Stage 7: Meeting with the Goddess
Having acquired enough survival skills for his new realm, the hero must "meet the goddess." In The Matrix, Morpheus decides that Neo is ready to visit the Oracle, and my students always jump on that scene in the movie to satisfy the stage. Unfortunately, the Oracle makes a better "woman as temptress," the following encounter, so meeting with the goddess has to occur before the Oracle.
Campbell describes the stage like this: "[The goddess] guides, she bids [the hero to] burst his fetters." Because the hero cycle is a path of change, a birth into a more mature existence, I believe that Campbell here means that the Goddess gives the hero some piece of advice instrumental in attaining the higher level of consciousness. If the Oracle doesn't provide this advice, who does? Who "guides" Neo? Who gives Neo the insight he needs to "burst his fetters"?
I would argue that Spoon Child does.
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And who can say for certain that Spoon Child is male or female? Clothing and hair style don't indicate a boy or a girl. Puberty hasn't yet given away gender in the voice.
What Spoon Child does is implant the idea that nothing in the Matrix has true substance—"There is no spoon." Even if Neo can still see something, hear it, touch, taste or smell it, no item, no person, is really there. Whatever one "bends" is himself, says Spoon Child, giving the mind of the person all of the power, not his sense perceptions. As Descartes so simply noted, "I think; therefore, I am." Identity remains even when the senses are mistaken or unavailable. Once Neo internalizes this insight, he is able to stop bullets in midair, to master the Matrix. And it is this child, not the Oracle, who imparts the important insight.
Initiation, Stage 8: Woman as Temptress
Campbell believes that "woman" is the "great symbol of life," especially for "the acts of life, the organs of life," i.e., physical and material temptations such as filling the stomach, sleeping in a warm bed, and satisfying sexual urges. In this stage of the cycle, a woman appeals to the flesh and its needs in an attempt to divert the hero from his otherwise spiritual journey of growth.
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Initiation, Stage 9: Atonement with the Father
Campbell claims that "the ogre aspect of the father is a reflex of the [hero's] own ego." I explain the stage to students like this: A father—either biological or a strong male presence—exists in the hero's life. At the beginning of the cycle, the hero believes that he and the father are significantly different. The best film example is the Star Wars series. Luke Skywalker believes that he is incapable of corruption, but once he becomes angry enough during a light sabre fight with Darth Vader, his biological father, he himself feels the call of the powerful dark side of the Force and understands that he too has the potential to change allegiance. This understanding of the similar nature between the "son" and the "father" is the "at-one-ment" that Campbell explains for this stage.
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Neo's "at-one-ment" with his "father" arrives after Morpheus has sacrificed himself, allowing his own capture by the Agents, so that Neo can escape. Trinity and Tank are about to pull Morpheus' plug aboard the Nebuchadnezzar so that the Agents cannot break into their leader's mind to steal the access codes to Zion. Neo stops them [an act of leadership] and decides to rescue Morpheus, a feat never before attempted [an act of commitment that will require follow-through]. To save Morpheus' life, Neo must call on the same qualities that Morpheus has consistently demonstrated, qualities that Neo did not realize he could actualize.
Initiation, Stage 10: Apotheosis
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Initiation, Stage 11: The Ultimate Boon
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Coming soon ... the six stages of Return!